Feeding Puppygirl Mimi

Thanks to Spanking Blog for discovering the link to Mimi, a French slave girl who photoblogs copiously about her adventures as a puppy girl who seems to spend all her time leashed. Here’s Mimi getting fed from her doggy bowl:

doggy girl mimi being fed

puppygirl eating from her bowl

If you like puppygirls on leashes, you’re in for one heck of a treat.

Elsewhere on Bondage Blog:

Stool Bondage

Precarious bondage positions like this one I always find most enjoying when drawn:

bondage girl on stool

I believe the artist may be Tomi Ungerer, but I am not sure.

Bondage In The Real World, Ugh

I try — nay, I work relentlessly — to keep the bondage on this blog focused on the erotic. But none of us who enjoy the trappings of BDSM can afford to forget that whips and chains and ropes and handcuffs are not just sex toys — they are, in the real world, too often tools of oppression.

I had that less nastily reinforced for me during one of those “I’d like to un-Google that, and un-see it too” moments yesterday.

I was doing Google image searches and clicked on a promising thumbnail. Cute young Asian woman, defiant expression on her face, arms roped behind her back and pulled up by a rope around the front of her neck, nipples showing through her shirt, flanked on either side by uniformed men. Like I said, promising thumbnail.

Then the page loaded.

Photoset. In a language I do not read. The picture itself was as described. Absent its context, you might be looking at it now.

Next picture in photo-set: same woman, lying on ground. Dead. Bloody bullet wound in forehead.

The rest of the photoset was more dead people. The page, it turns out, was documenting the execution of Chinese political prisoners.

I’d like to un-Google that, and un-see it, too. But this is the twenty first century. You can’t un-Google anything. All you can do is hope (and work, if you have the energy) for the day when the things you wish you could un-see aren’t there to be seen any more.

Me, I’m reminded that it’s time to send off a few more bucks to Amnesty International.

Fun With Rope And Candle

Somebody had far too much fun dripping this candle wax onto Sex and Submission model Daisy Marie’s beautiful breasts:

hot waxed bondage boobs

From this shoot.

Elsewhere on Bondage Blog:

Sensory Deprivation In Public

This sounds impractical unless you know of some very special club spaces, but as fantasy material it may appeal to some:

I am occasionally taken to a couple of clubs completely blind and deaf. I have an mp3 player covered with ear defenders and a blindfold. My hands are tied together and i have to be led everywhere.

It means that there are two clubs (actually three now) of which i know nothing of the inside. I’ve not seen any of the interior except for one toilet cubicle. I don’t know if i’m in a small intimate private room on our own, or whether i’m on full public display. I never know what sort of equipment i’m being led towards, or who else is coming with us.

It’s very scary, but also very exciting. I often have a kind of “march to the scaffold” feeling of impending sacrificial doom.

And i love it!

From the Informed Consent boards.

Chained Girl Gets Pussy-Thumbed

Cartoons never used to be so much fun:

blonde anime girl chained and stimulated with a thumb

From alt. binaries. pictures. erotica. anime.

Elsewhere on Bondage Blog:

The White Captive

This statue, The White Captive, is by Erastus Dow Palmer and resides in the Metropolitan Museum of Art in New York. There was an era in which there was much public interest in lurid tales of white women being carried off into squalid captivity by “wild Indians”; this statue is from that era and is intended to represent such a captive woman:

girl captured and tied by wild indians

The Museum says of the statue:

It portrays a youthful female figure who has been abducted from her sleep and held captive by savage Indians. Hands bound, and stripped of a nightgown hanging from a tree trunk, she turns her head away from the terror, and clenches her left fist, in defiance of imminent harm. Palmer avoided the often cold appearance of Italianate Neoclassical sculpture, in part by using for his model a local girl. He was particularly commended for his use of a “thoroughly American” subject that makes a conscious allusion to the endless skirmishes between Native Americans and white pioneers.

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