The Cloth-Gagged Witness
A cloth gag is usually close to useless, but well-packed and tight it can at least be visually appealing:

This one is from the cover of OSS.117 #57.
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A cloth gag is usually close to useless, but well-packed and tight it can at least be visually appealing:

This one is from the cover of OSS.117 #57.
Elsewhere on Bondage Blog:
I’m not sure where these two captured babes are being led, but it’s clear from their eyes that they’d just as soon stay in the dark behind the curtain than go wherever it might be:

An Irving Klaw photo from the 1950s.
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He found two lost hikers so he did his simple humanitarian duty; he took them in to his mountain cabin (well, actually, he probably broke in and is squatting there, but let’s not quibble) and now he’s keeping them from that terrible foggy, foggy dew:
Image credits: Sex and Submission, part of the Kink Unlimited network.
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Usually a responsible branding-master will clear her hair away from the branding site so there aren’t any sudden fires during the proceedings. But this is the pulps, so “meh” I guess?

Lurid branding-scene artwork is from the cover of Dossier X #9.
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Normally one doesn’t make a mummy until one has a dead body. But this guy is jumping the gun, and his subject seems a bit unhappy about it:

From this pulp magazine cover.
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It’s not clear why Tommy Pistol decided that The Show Must Go On once he realized that he’d grabbed the wrong girl for the bondage kidnap sex show he was hired to perform for a wealthy and discriminating patron; Marica Hase wasn’t even the girl he was hired to kidnap. But on, the show most definitely went:
Image credits: Sex and Submission, part of the Kink Unlimited network.
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It was just a boring boulevard until somebody got the bright idea to string up some bondage pussy. Now it’s a lot more fun to go to the market:

From La Perfection Chrétienne by Georges Pichard.
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