She does not want the fruit. She does not want to eat the fruit. The fruit and she are already better acquainted than she would prefer:
That’s from Into The Attic, where JR explains:
Perhaps you’ve noticed that from time to time I like to make a girl eat food that has been in her pussy for some while and then later, after she has had one or more orgasms, dig that food out and have her eat it.
…
She really didn’t want to eat that piece of fruit. When you watch the video you’ll see she almost throws it up. I immediately ball gagged her after she choked them down –just so she had no time to clear her palate, of course.
Elsewhere on Bondage Blog:
I found this Orientalist slavegirl giving a blowjob on Usenet, and it looks very much to my eye as if it’s a clever bit of fantasy collage, with the blowjob and the shackles being neatly ‘shopped onto a much more pedestrian bit of vintage Orientalist art. But it would be a lot of fun if I could find the original painting that’s been modified here. Anybody recognize it?
Update: Based on a reader tip, I was able to track this work to an artist called Damien and find a version with a Dofantasy.com watermark. However, I still don’t know which, if any, of his three collections (Dungeons, Inquisition, Crucifixions) they publish might (or might not) contain it.
Elsewhere on Bondage Blog:
In which Hogtied.com returns to its flexible roots:
Elsewhere on Bondage Blog:
This Gene Bilbrew magazine cover for The Satin Satellite may just be the most awesome thing I have ever seen. I have no idea what’s supposed to be going on here, but I’m betting her bottom is cold. Ah, well, they say that you have to suffer to make great art:
Elsewhere on Bondage Blog:
This bondage whipping art went by awhile ago on Spanking Blog:
It’s a well-wrought fantasy image, but I’ve seen so much of this stuff that I can’t help looking at the details. Like, for instance: notice how you can see the pucker of her anus? It really shouldn’t be gaping so visibly at that distance and level of drawn detail, not unless one of these just got removed from it. We see it, I speculate, because it’s important to the artist’s internal narrative that it be so visibly prominent. The artist has a plan for that gaping pucker.