It’s the sjambok, or something like it, for our dangling voluptuous heroine; it’s already torn her clothing half off and is leaving some terrible welts, and it looks like her punishment is only just beginning!
From the cover of an Oltretomba pulp magazine.
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The table looks cold and hard, but she’s the kind of girl who gets bored if she’s too comfortable, so that’s all right:
If you can make anything out of that squiggle of an artist’s signature, you’re doing better than me. From an old Kitan Club magazine.
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This doesn’t look like the sort of medical team you ever want to be stuck with:
Art is signed “Sadie Mazo” and is from the cover of an old French book called La Clinique des Cauchemars.
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I don’t know if our lightly-gagged damsel in chair-bondage distress is supposed to fall for the rescuing policeman or if the tale was more complex than that, but this artwork is the detail from a full-page story-title panel for a story called So This Is Love that appeared in the romance comic Dear Lonely Heart #1 in March of 1951. Artist was Iger Shop.
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If you think the tightly-tied woman shown here is in a bondage predicament on the evidence of this image detail, you ain’t seen nothing yet:
This is a detail from the cover of the Italian pulp Tortura, which in its full uncropped glory shows her menaced by two ruffians and one very large knife.
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When they told Lavender she had a pressing appointment, she had no idea they meant breast pressing:
I suspect her smeared mascara is not from the tit press, though; it’s because she’s at Pain Toy, where making pretty girls cry is pretty much what they do.
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I would say that bit of a towel she’s been provided for her modesty was only offered so that she can squawk all the more charmingly when it’s ripped away:
Artwork is from the cover of Isabella #44.
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