A Cruel Injection
This doesn’t look like the sort of medical team you ever want to be stuck with:

Art is signed “Sadie Mazo” and is from the cover of an old French book called La Clinique des Cauchemars.
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This doesn’t look like the sort of medical team you ever want to be stuck with:

Art is signed “Sadie Mazo” and is from the cover of an old French book called La Clinique des Cauchemars.
Elsewhere on Bondage Blog:
I don’t know if our lightly-gagged damsel in chair-bondage distress is supposed to fall for the rescuing policeman or if the tale was more complex than that, but this artwork is the detail from a full-page story-title panel for a story called So This Is Love that appeared in the romance comic Dear Lonely Heart #1 in March of 1951. Artist was Iger Shop.
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If you think the tightly-tied woman shown here is in a bondage predicament on the evidence of this image detail, you ain’t seen nothing yet:

This is a detail from the cover of the Italian pulp Tortura, which in its full uncropped glory shows her menaced by two ruffians and one very large knife.
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When they told Lavender she had a pressing appointment, she had no idea they meant breast pressing:
I suspect her smeared mascara is not from the tit press, though; it’s because she’s at Pain Toy, where making pretty girls cry is pretty much what they do.
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I would say that bit of a towel she’s been provided for her modesty was only offered so that she can squawk all the more charmingly when it’s ripped away:

Artwork is from the cover of Isabella #44.
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History records that Catholic inquisitors sometimes used a tactic of showing their victims the hot irons and other implements of torture in advance of a torture session, in hopes that the mere sight of the terrible implements arrayed would elicit a bloodless confession. If you’re as squeamish as I am, you probably hope that the flesh-rending abattoir on display here has been set up for similar “display purposes only”:

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Say hello to Suzie the bloodhound dog, via Kinky Delight:
This is a panel from Pep Comics #57 (1946) where Suzie was a recurring character, though she’s not usually seen on her knees, or wearing a leash and collar.
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