I’m not sure what French wag wrote “The Dance of History” on this artwork, but he’s not precisely wrong. A naked woman dancing in agony at the end of a rope while a powerful man coldly contemplates her more cooperative attitude after sundown? If that’s not “the” dance of history, it’s certainly not an uncommon one:
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This unfortunate dungeon slavegirl from the pages of an old Kitan Club magazine is on a strict potty regimen. She never gets off that chain, but once a day she is issued that bedpan and those enema bulbs and instructed to take care of business, neatly, or else:
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There’s just something about a nicely rope-tied pair of boobs that makes me want to reach for a cane. That’s the reaction everybody has, right? Right?
From Hard Tied.
The reaching hand of a skulking villain in a church graveyard, illuminated only by the light of the moon gleaming off the shining breasts of a bound damsel: what could be pulpier than this?
Artwork is detail from the cover of Giovani D’Oggi #3.
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…and any man who objects! In public, as a lesson to them all. I think we’ll call it “public relations.”
Artist signature looks like “L. Conte” and the image is another from Par le Knout : La Flagellation des femmes en Pologne – une idylle policière en Pologne (1908).
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He’s got her tied between two trees, so apparently he’s got something more elaborate and fun in mind for her than just killing and eating her:
From the cover of Terror Gigante #110.
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The shoot is called Anal Revenge and Penny Pax looks very fetching as she’s taken from behind. But shouldn’t they both be worried about that creepy skeleton sneaking up on them?
From Sex and Submission, a Kink Unlimited channel.
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