Panty Hose Stuff Gag
Stockings and pantyhose make such good gags; they can be the stuffing and the wrapping both, if you do it right:
Photo is from this shoot at Whipped Ass, which is of course a Kink Unlimited production.
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Stockings and pantyhose make such good gags; they can be the stuffing and the wrapping both, if you do it right:
Photo is from this shoot at Whipped Ass, which is of course a Kink Unlimited production.
Elsewhere on Bondage Blog:

Their dark master will rise if only they can make enough pain! The art is from the cover of Oltretomba #120.
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Our Heroine could be in some real trouble from that stiff feather if she turns out to be very ticklish and/or multi-orgasmic:

Artwork is by Bill Ward, of course.
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He’s clearly making the most of their quick conjugal visit; he must have unzipped his jeans, but he only gave her time to remove one garment neatly before the other two hit the floor with the rat:

From the cover of Serie Flash #8: Pornogalera.
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When you’ve been rummaging through bondage porn (modern and vintage) for as long as I have, it’s easy to get both jaded and bored by it all. The thing that rescues a particular image is emotional content. Some expression on a model’s face, some body positioning, something that hints at more of an erotic story than “my agent told me that I could pick up a fast three hundred bucks if I showed up today and let some creep take pictures of me tied up in his basement studio.” Of course that story is going to be acting, or it’s going to a projection of my own imagination, but either way, that’s what good art is all about. In the photo below I see a sort of determined anger on the face of the woman who is not tied up. I don’t know what the bound woman did to her, but I think we’re about to witness a serious revenge face-slapping:
It’s the central detail from this photo by John Willie.
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What does an invisible villain do? Tie up pretty girls and take ruthless sexual advantage, apparently:

Artwork is by Japanese artist Toshio Saeki.
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Via Kinky Delight:
The artwork decorated the head of a column called “Chamber of Horrors” that appeared regularly in a 1930s pulp magazine called Horror Stories.
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